A long overdue swatch post as I’ve already completed a full Challenge Week for this one back in August! This is the ever so gorgeous tarteTarteist Pro palette!
tarte switched things up for us and offered 16 matte shades with only 4 shimmer foils! Since it’s usually the reverse of this, I’m very happy to see matte shades being pushed to the forefront here.
I’m not going to mince my words with this one – I hated the Anastasia Beverly HillsSubculture palette. I was so, SO excited to get my hands on it – I snapped it up the day it was released on Sephora. I started to use the very next morning… only to discover that this palette doesn’t hold a candle to its predecessor – the Modern Renaissance palette.
While I don’t normally turn my swatch posts into review posts, I did want to talk a bit about this palette since I won’t be doing a full on review or video about it. Where the Modern Renaissance was dusty and kicked up fallout when you stuck your brush into it, it at least had the ability to stick to your eyelid and blend out beautifully. The Subculture palette has none of those things. The kick up is more intense than the MR palette and it has zero ability to stick to your lid without getting blended away into nothingness. The primary thing that this palette lacks is binding agents that are going to get this to stick to your skin, and really, there isn’t a whole lot we, as consumers, can do to cure that.
I’ve heard the arguments in favour of calling this a “pressed pigment” palette or “this if for makeup professionals”. Pardon my language, but that’s way too much fucking bullshit for my liking. ABH is not a pro-geared brand, nor was this marketed as palette that was for MUAs. It also was NEVER MENTIONED that this was a pressed pigment palette. The only things we heard in the adverts for this palette was that it was the new sister to the Modern Renaissance palette, that it had a more nighttime vibe, and that if we loved MR, we would love Subculture just as much.
And frankly, I don’t. I tried two eye looks the morning after I got this and it looked like I had no idea how to apply eyeshadow. Some people may not like my technique, but I think we can all agree that I didn’t start wearing eyeshadow yesterday and therefore I shouldn’t look like I threw powder at my lids and expected it to stick there. I didn’t photograph the looks because I had no time that morning (although Snapchat did see my utter failure there! (my snap is muyourmind)) and it just wasn’t worth it. I returned the palette that same day and said good riddance.
I wanted to love it, I thought the colours were gorgeous and I loved how many mattes there were. But it wasn’t the promised sister to MR, and I wanted nothing to do with it. However, if you love the colours, I’d encourage you to check out JustEnufEyes’ video on duping the Subculture palette with Inglot shadows.
So the swatches are below in case you want to see them, but please keep in mind that, as always, swatches never tell the whole story. These look super pigmented, because they are, but they lack the blendability we all look for in an eyeshadow.
Brand new to Estee Lauder is their 30-colour range of the Pure Color Love lipsticks. Ranging from “ulta mattes to shimmer pearls, cool chromes and edgy cremes”, the colour lineup has a blissful diversity that doesn’t seem too heavy in any area. There are loads of nudes, heaps of brights, and plenty of deep shades.
Perhaps the most bizarre thing about this range is the shape of the lipstick bullet. I don’t even know what to call it – chisel edge point? X-acto knife? Like what the heck even is that? It comes to a sharp point as both sides are exactly identical – a steep vertical slant to the end of the lipstick bullet. One thing’s for sure – I don’t like the shape. Sure, it’s edgy, unique, whatever the heck else you want to call it, but it’s not for me. I’m currently trying to wear the lipstick down in the shape *I* want. Which means a heck of a lot of wear on one side of it – and yet I can never remember which side I’m wearing it down! ARGH!
Weird shape aside, the lipsticks themselves are quite lovely – which is really the whole point of the product now isn’t it? The packaging is a pull out tube with a lovely satisfying snap closure. It’s a weighty product, which to me has always meant luxury.
I was gifted an interesting variety of shades at the Pure Color Love launch event:
Orchid Infinity – an edgy cream
Bar Red – an ultra matte
Flash Chill – a shimmer pearl
The colours were pre-selected for us, but I like how they approached the selection as it gave me the chance to try out a variety of finishes.
Of the three I tried, Orchid Infinity, the edgy cream, was the shade I had the most issues with. It required a few layers to get opaque coverage, however it whenever it wore away, it melted away on my lips nicely – no nasty edge that looks like you applied lip liner wrong (and heavily). The formula was smooth and creamy – almost slippery.
Bar Red, an ultra matte, was my favourite out of the three in this post. Although pegged as an ultra matte, this was not drying on my lips. It went on smoothly – albeit stiffly at first since I had to break through that initial layer (why are mattes like this?) – and afterwards it was smooth to apply. Pigmentation was on point and it such’s a glorious colour – your true red, or “Christmas red” as I tend to think of shades like this. This shade and formula can do no wrong as far as I’m concerned.
Flash Chill was the last shade I tried and the one I was the least interested in. But isn’t that the way it always goes before we discover a new shade that we suddenly love? Granted, Flash Chill looks very similar on my lips to plenty of coral shades I’ve been in love with over the years, but in the bullet I wasn’t convinced it would come out this nicely. I stand corrected however and Flash Chill is gorrrrgeous! It’s a peach that turns coral on my lips with some gold flecks of glitter splashed in for good measure. The glitter isn’t gritty, but it will stick to your lips a little longer than the lipstick will, so re-application will be necessary. (Which is fine – layering with all three of these lipsticks was absolutely fine and caused no issues.)
Final Thoughts
In order of finish preference for the Estee LauderPure Color Love Lipsticks, the ultra matte was by far my favourite. Super comfortable to wear and gorgeous pigmentation. Second was the shimmer pearl – it’s a lot of fun and there’s a glimmer of sparkle in the partial translucency of the colour. The cream was sadly my least favourite, but I think it may be partially because of the colour. Purples are a bastard in the makeup world, and this colour did suffer from some patchiness. That being said, the texture and feel of it was really, really nice, so you may fare better with a less volatile pigment.
In short, yes – I’d absolutely recommend these!
The Estee Lauder Pure Color Love Lipsticks are available exclusively in Canada via www.beautyboutique.ca where they retail for… actually I can’t tell you. This is really bizarre – I’m positive they’re available on www.beautyboutique.ca but the entire domain seems to be blocked in Australia (where I’m currently writing this post). Not sure why that is!
Shame on me, I avoided buying this palette for so long! Coloured Raine‘s Queen of Hearts palette launch was huge for the brand – so many people snapped it up and raved about it. And me, for whatever reason, just kept putting off buying it because I didn’t need it – or so I thought.
I was finally broken down after seeing my friend Samantha wearing this palette constantly in unbelievably beautiful combinations. So when they decided to restock it, I snapped it up. It was a re-launch item, so I think I paid for this back in June, and only just got it this past August. It looks like the palette many now be permanent (thank heavens), and it retails for $50 USD. I had no customs charges from the US when it arrived.